The Art of Craft

Small craft advisory

As an artist, I aspire to be crafty.

Forget the misguided, and tragically oppressive Western narrative of ‘high art’ as somehow ‘enlightened’ and more valuable than the exquisite beauty found across all creative expression labeled as ‘craft’. 

If you can translate an idea from mind to hand, the material is immaterialyou are an artist - plain and simple.

My creative curiosity has led me down a crafty path or two, and I’m now enamored with one diversion so often associated with handiwork:  natural dyeing.

Some of my kitchen favorites for natural dye:  avocado, turmeric, red cabbage and black bean.

Some of my kitchen favorites for natural dye: avocado, turmeric, red cabbage and black bean.

While I could fight against the notion that this diminishes the value of my art, why would I entertain such a silly thought?

Nope.  I choose to celebrate, my artist friends, so let’s get crafting with natural color!

 

Color classics

Focusing on colors from nature in #The100DayProject has filled my fridge with an incredible rainbow of botanical dyes.

Dyes brewed from foraged plants and food scraps during #The100DayProject.

Dyes brewed from foraged plants and food scraps during #The100DayProject.

Every time I find a new plant to brew, I add to my collection.  When I see a color missing, I go searching for a plant.  It is a never-ending exploratory cycle.

10 dye plants foraged from Tambark Park and my garden waste to study local flora colors.

10 dye plants foraged from Tambark Park and my garden waste to study local flora colors.

As I shared my project, and the art I created with these dyes, I could hear the buzz all around me as people became curious themselves.  Certainly interested, and maybe even inspired, to learn about natural dyes.

I get this.  I have a history of being intrigued myself.   It’s how this passion for organic color grew and how I learned what I know so far.  Ironically, it seems the more you know, the more you want to know.

Having had many of the same questions when I started my love affair with nature’s palette in 2017, I have been searching high and low for answers ever since.

When I learned from a Dutch artist that seaweed was a sustainable source of dye, I headed to Iceland to investigate.

When I learned from a Dutch artist that seaweed was a sustainable source of dye, I headed to Iceland to investigate.

And, because sharing is caring, I’m very excited to tell you a secret I’ve been keeping all to myself:

Starting in August 2020, I will be releasing short tutorial videos and mini-courses all about the incredible world of natural color.  My intention is to build a place where you can easily find the basics to get you inspired to add color to your life naturally.

Soon to be released YouTube channel, Cookin’ Color, with short video tutorials on organic dyes, August 2020.

Soon to be released YouTube channel, Cookin’ Color, with short video tutorials on organic dyes, August 2020.

The topic is HUGE.  There are so many options and different approaches to extracting color, plus a multitude of ways to use it.

For me, organic color has been an integral part of my installation practice, and more recently my mixed media work.  But a beautiful aspect of natural color is that it is available to everyone, no matter where you consider yourself on the art/craft spectrum.

Bioplastics cooked and cured with natural dyes in my kitchen studio in June 2020.

Bioplastics cooked and cured with natural dyes in my kitchen studio in June 2020.

And, the botanical dye in my fridge right now is a perfect example of the countless ways we can weave natural color into almost everything.

 

Nature’s bounty

Finding a way to create color in an ephemeral installation without hurting an environment is how I got hooked on natural dyes.  But as my #100DaysOfNaturesColors meandered its way through botanical dyes and earth pigments, I could clearly see just how many different ways I have been exploring color from nature.  Maybe one or more of these will strike a creative chord with you too!

 

TEXTILE

Probably the most obvious and popular use of natural dyes is to create sumptuous hues for fabric.  With a growing interest of sustainability in fashion, botanical colors are popping up from head to toe.  If you’ve got natural fibers in your closet (cotton, hemp, silk, wool), you can dye organically – the options are endless.

Textiles of wool, silk, cotton and bamboo hand-dyed in Oaxaca exclusively with organic matter.

Textiles of wool, silk, cotton and bamboo hand-dyed in Oaxaca exclusively with organic matter.

My first on-line workshop will be on how to create an ombre-dyed scarf from foods in your kitchen, and this fall, I will be teaching a similar technique using earth pigments.  Incorporating these rich colors into a wardrobe is a delicious way to get your art out of the house.

However, if knitting or weaving is more your speed, soaking yarn, string or ribbon in a batch of botanicals can create subtle sweetness.  Just look at the wonder of this wool I dyed in Mexico.

Wood hand-dyed in organic matter including indigo, muicle, pericon and cochineal in Oaxaca, Mexico.

Wood hand-dyed in organic matter including indigo, muicle, pericon and cochineal in Oaxaca, Mexico.

While I preferred to use this fiber for installation, imagine a hat, scarf, mittens or sweater with that special colorful touch?

But who says you have to wear hand-dyed textilesMy mom was an avid quilter which I’m certain has influenced my mixed media textile pieces and love of squares.

Naturally dyed textile piece, Blossom, created while on residency in Oaxaca, Mexico, March 2020.

Naturally dyed textile piece, Blossom, created while on residency in Oaxaca, Mexico, March 2020.

How special it would have been to forage with my mom and organically dye fabric swatches for her to sew into her quilt creations.  Keep that in mind for the quilters in your life.

 

PAPER

Textile’s extended fiber family is paper.  The delicate translucency of paper has intrigued me for quite some time, both for sculptural and 2D applications.  In Oaxaca, I first tested how wet strength fibers like mulberry and tissue would hold the colors I had brewed, and it worked like a charm.

First time hand-dyeing paper with plant matter in Oaxaca, Mexico, March 2020.

First time hand-dyeing paper with plant matter in Oaxaca, Mexico, March 2020.

So, one chunk of 10 days during #The100DayProject, I focused on creating collage with these dyed papers.  The variations of color, especially when layering, felt closely tied to the depth I love to create with overlays of silk in my textile pieces.

Hand-dyed paper collage backlit in Tambark Park, made exclusively from organic dyes foraged in Oaxaca, Mexico.

Hand-dyed paper collage backlit in Tambark Park, made exclusively from organic dyes foraged in Oaxaca, Mexico.

Feeling inspired, I foraged local ‘weeds’ in my beloved Tambark Park the last 10 days of the project and made a new rainbow stock of colorful paper from the PNW.

Paper samples of natural dyes brewed from foraged plants in my neighborhood.  Only blue butterfly pea was from my kitchen!

Paper samples of natural dyes brewed from foraged plants in my neighborhood. Only blue butterfly pea was from my kitchen!

What’s wonderful about paper is its versatility across several art disciplines, and a true staple in many craft projects.   Why not make hand-dyed paper with plants foraged from your neighborhood the next time the scissors and glue need some exercise?

 

INK

Dyeing paper is one way to spread some of nature’s colors around, but making ink turns just about any organic matter into a medium for drawing and watercolor fun.

I simply poured the dyes I brewed from foraged plants in Iceland and Mexico on paper, but learning how to make ink specifically was yet another way to expand my natural color wheel during the last 100 days.

Testing inks made from avocado skin and red cabbage during #The100DayProject.

Testing inks made from avocado skin and red cabbage during #The100DayProject.

I even made blue ink with my cherished blue butterfly pea blossoms for the first time, one of the most elusive colors of nature.

Watch out - lake pigments might be just around the next corner!

 

KITCHEN KRAFT

While all of the above may result in time at a craft table, a stovetop is still a critical element in a studio of natural dyes.  Therefore, it’s no surprise that crafts of the kitchen can also add a splash of organic color.

Much of my installation work was born in the kitchen - infused ice, mung bean and playdough have been some of my edible shining stars.

Mung bean string installation naturally dyed with kitchen scraps in Sayulita, Mexico, December 2018.

Mung bean string installation naturally dyed with kitchen scraps in Sayulita, Mexico, December 2018.

Brewing organic dyes as natural food coloring for baking, cooking and blended drinks is certainly a fun way to add color in the kitchen.  At the very least, you can start with next year’s Easter eggs having that natural color vibe.

This year’s Easter Eggs were dyed au naturel in turmeric, red beet, red cabbage, avocado and blue butterfly pea.

This year’s Easter Eggs were dyed au naturel in turmeric, red beet, red cabbage, avocado and blue butterfly pea.

Plus, the kitchen is the perfect place to start playing with natural dyes in general.   So many fruits/veggies, spices and even food scraps can make wonderful colors with very simple recipes

In case you missed it this spring, download a copy of my Cookin’ Color brew booklet with a few of my favorite kitchen dye recipes, or better yet, sign up here for my 5 Days of Dye short video tutorial series releasing soon in a kitchen near you!

 

HEADING

Go ahead – call me crafty.  I don’t mind at all.

To be honest, I question why any negative association became attached to a word that honors the vision and skill it takes to create beauty with your hands.  To be an accomplished craftsperson is a lofty goal for any artist, and certainly one I aim for in my daily practice.

So, let’s keep spreading the art of craft in the world today!

 

3's company

Three me please

Three is a magic number.  From the micro (protons, neutrons and electrons) to the cosmic (planets, stars and galaxies), nature bundles it’s wonders in three.  I suppose it is no surprise, then, that humans do exactly the same within their world:

  • Storytelling and the trilogy

  • Religion and the trinity

  • Art and the tryptych

Our brains are hard-wired to seek out patterns and relationships, and we are drawn to clusters of three as the simplest way to connect thoughts.  We see it used in speech-writing, classroom learning and comedy skits.  Simply put: three rules.

So, perhaps it isn’t a coincidence that I too have a trifecta of sorts, at least as it relates to my creative world.  Today, it seems these three elements are intertwined more than I had imagined:

  •  My job

  • My travel

  • My installation

Mung bean installation on Maui will melt with the rising tide, Kaanapali Beach, April 2019.

Mung bean installation on Maui will melt with the rising tide, Kaanapali Beach, April 2019.

Triangulation

To be a full-time working artist is a dream of mine.  My guess is it’s the dream of most creatives, and unlike popular myth, it is completely attainable.  However, most of us have had other jobs to support ourselves at one point or another, and sadly, many feel ashamed of this.

Not me.  The work that has sustained me and my family for decades is not art-related, but it is the foundation that I stand on, and it has taken me around the globe.  Through this travel, I became so deeply inspired by the landscapes I roamed, my installation practice was reignited.  Now, my installation is sprouting new opportunity for work, but this time in the art world.

The perfect art world, high above the clouds on Haleakalā, deserves an abaca swirl installation, April 2019.

The perfect art world, high above the clouds on Haleakalā, deserves an abaca swirl installation, April 2019.

See how that rolls?  Job—>travel—>installation—>job - and the power of three is born.

 

USD 3.3M

I had an exceptionally good sales year in 2018, as did many of my colleagues.  As a gift to our team, my company hosted our annual sales meeting in Maui this year.  As a bonus, a few extra days to explore the island and an invitation for our loved ones to join was extended.

My guy, Chris, and yours truly, finding amazing new vistas in West Maui.

My guy, Chris, and yours truly, finding amazing new vistas in West Maui.

Mahalo, Opticon, bon voyage, and aloha installation!

Funny enough, this trip was my third visit to Maui, and it’s said, the 3rd time’s the charm.

 

No small trifle

One very delightful piece of this voyage was a treasure hunt I hosted for all the creative travel enthusiasts I had to leave behind.  The beauty of our digital world allowed me to stay engaged while installing almost 3000 miles from home.  Working remotely never felt so connected.

In the midst of meetings and Power Point presentations, I managed to sneak away for six installations over six days.   With a virtual family of travelers in tow, I shared a map of Maui and posted visual clues on social media about each piece.  Nothing like playing a game at work!

Vertical stack of paper pulp bricks painted with earth pigments and installed in drift wood.

Vertical stack of paper pulp bricks painted with earth pigments and installed in drift wood.

So, what was the real treasure in this hunt?   The amazing community I’m so lucky to have found along the way!

 

Triple threat

As rewarding as this trip was, installation always has it’s difficulties.  Add work and children to the mix, plus a healthy dose of wind, and new challenges were bound to bubble up:

Challenge 1:  Business meetings always spill into the evening, and the sun sets relatively quickly the closer you are to the equator.  How do you photograph an installation in the dark?

Threaded orbs installed on a banyan tree with the glow of darkness, Lahaina, April 2019.

Threaded orbs installed on a banyan tree with the glow of darkness, Lahaina, April 2019.

Same orbs but with a flash of delight! Which one do you prefer?

Same orbs but with a flash of delight! Which one do you prefer?

Challenge 2:  Teenagers have slightly less patience when it comes to tagging along on an installation trek.  How quickly can you find a site before your child gets bored?

My son, Mason, chillin’ at 10,000 feet, while I was a few hundred feet higher installing. Thanks for waiting!

My son, Mason, chillin’ at 10,000 feet, while I was a few hundred feet higher installing. Thanks for waiting!

Challenge 3:  Maui is in the middle of the ocean, so it is very windyHow do you keep paper pulp from blowing away?

Wind whipping is one of the many dangers of installation at 10000 feet.

Wind whipping is one of the many dangers of installation at 10000 feet.

3, 2, 1…

Three has been a lucky number in my life (just look at those amazing three people I call my kids!).  So, I won’t dismiss the power of 3 and the critical part my job plays in today’s creative triangle.  Without it, I would not have traveled to Maui’s paradise to create yet another set of installations, trying fresh materials and finding new beaches of inspiration.

Wheat pasted paper rolls embedded in a rocky beach in West Maui, April 2019.

Wheat pasted paper rolls embedded in a rocky beach in West Maui, April 2019.

So, as a typical human being, I suppose I also look for patterns and relationships in the world around me.  While pondering the impact of my day job on my creative practice, a few more connections popped up, which I leave for you to chew on:

  •  Without the 3 primary colors, we would have no rainbow

  • Without the 3 legs of a tripod, a camera would struggle to capture the aurora borealis,

    and perhaps most importantly…

  • Without AAA’s TripTik, we would all be lost.

Don’t worry -  I got you covered on the last one.  If you’d like your own copy of the Maui treasure map, click, click, clickLet me know what treasures you find in the comments below…

Kisses - Margaret