Pacific Passion

Empirical data

Growing up in the 70s, the Earth had four oceans and our solar system had nine planets.

Somewhere along the way, Pluto was downgraded to a dwarf planet while Antarctica’s icy waters became the Southern Ocean to make five. Although I have never been to Pluto, I have had the good fortune of dipping my hand into each of the 70s’ four oceans.

What I remember of the Indian Ocean was trying to keep my mouth closed as we splashed our way at high speeds out of the Maputo harbor.  The grayish oil-slicked water turned to a crystal clear azure as we jumped fully clothed into its surf to swim to our sandy beach destination.

My tummy ached from all the laughing we did that day.

The crashing waves and windswept moments frozen along the Arctic Ocean have a stronger pull for me to return.  From Northern Iceland to Lofoten, Norway, my polar curiosity is headed further into this frigid sea as Svalbard now beckons me north.

Abaca swirls installed on Uttakleiv Beach in Lofoten, Norway, October 2018.

Both sides of the Atlantic Ocean have provided countless memories from north to south: the rocky coves of Maine to the beaches of Ipanema in Brazil, all the way to the red sand of Angola and to the edge of the Irish Cliffs of Moher.

Everyone needs a travel buddy! Pre-installation times with Chris at the Cliffs of Moher in Ireland, March 2016.

Simply put, I love the ocean, all four of them, but the Pacific is the one I call home.

And, in the past two years of travel in pursuit of creative inspiration, the Pacific has called me home time and time again.

Piece of peace

Being born in Oregon and living much of my adult life in California and Washington, I can safely call myself a west coaster, the rugged home to one tiny slice of the Pacific. 

As with the Atlantic, I have stood on the edges of the largest ocean from north to south and east to west. 

However, my creative journey along this shoreline has kept me nestled on the western side of the Americas.

The memories are many, but in an effort to quietly honor the Pacific, I’d like to share my gratitude with one simple installation photo from each of six sandy destinations, as well as one lesson I’ve learned at each beautiful seascape.

Join me as we head from north to south…

Washington

I adore beach combing and will spend much of my time on the coast with my head down, fixated on the treasures in the sand.  The Washington beaches are wide and hit hard by wind and rain which brings incredible gifts from the sea.

Lesson 1:  The beach covered with thousands of deep blue Velella, the sailor’s jellyfish, is a rare phenomenon that I was lucky enough to stumble upon, and install within, much to my creative delight in April 2018.

Oregon

My mom instilled my love of walking along the rugged beaches of the PNW in the off-season.  Hunting for agates or sand dollars on the Oregon coast filled many stormy winter holidays in my childhood.  The harder the wind and rain pelted our faces, the further we walked.

Bioplastic swirls in all their translucent glory, sun-drenched on Cannon Beach, Oregon, November 2019.

Lesson 2:  The sun can shine with clear blue skies even at Thanksgiving on the beach in Oregon.  I could not have asked for more perfect weather to explore the translucency with the first installation of bioplastics in November 2019.

California

The further south you venture does not change the temperament of the Pacific.  The beaches of California are equally as wild as those of the Northwest.

Although my daughters may don a wetsuit to surf the Central Coast, I can honestly say I have rarely, if ever, spent time frolicking in its waters.

It’s too darn cold!

Paper pulp sticks installed in black iron oxide along a vein of red ochre on Tamarack Beach in Carlsbad, CA, October 2019.

Lesson 3:  Learning about earth pigments and how to spot minerals in cliffs along the watershed has enhanced my creative beach experiences immensely.  The red lines of ochre running through the weathered sandstone looks amazing next to the black iron oxide glittering as magnetite in the California sand.

Thanks to you, Golden State, for making such installation dreams come true.

Maui x 2

To visit Maui is a beach bum’s dream come true, but to return unexpectedly within a year is where manifestation blooms.  Blending a perfect mix of tropical and arid landscapes with warm crashing surf makes Maui the hot climate version of the wild Pacific.

Threaded orbs installed in lava rock in Makena, Maui, June 2018.

Lesson 4:  From lava rock to pure white sand, finding sites for installation in Maui is always made easier with the sparkling blue seas as a backdrop no matter when you visit.

Paper pulp stack installation on driftwood at Ukumehame Beach, West Maui, April 2019.

June 2018 or April 2019 equals installation inspiration all the time!

Mexico

The west coast of Mexico has treated me to some wonderful times splashing in the waves.  Similar to Hawaii, but without the wide open Pacific pounding from all sides, the water in Mexico is deliciously warm with the perfect hint of swell.

Ice shots infused with botanical dyes and stacked on dried fronds at Haramara in Sayulita, Mexico, December 2018.

Lesson 5:  And from swell, I really mean sweltering, particularly in the dry tropics of Sayulita in December 2018.  If you want a creative challenge, ice installation on this coastline will test your patience and your sandy limits.

Blink once, and it is gone.

Peru

If the Pacific of North America has taught me anything, she keeps true to her mission of creating stunning beauty wherever she makes landfall.  Peru is no exception, and as luck would have it once again, we walked alone on some of the most beautifully wild beaches you could imagine in June 2019.

Wheat paste paper stack installation in the sands of Playa Supay in Paracas, Peru, June 2019.

Lesson 6:  The plight of plastic runs deep in the Pacific, and sadly, I experienced this in spades in Peru.  We picked up as much plastic as we could carry from this seemingly pristine beach that blessed me with multiple installation sites.

Safe to say, my discovery of bioplastic was bred from Peruvian sand.

From the depths

So, darlin’ Pacific, thank you...

Your vast beauty will stir at my creative soul forever, even with the magnetic pull of the Poles. And, although I have my sites in 2020 on the North Pole of the Arctic Ocean, I’m coming for you too, Southern Ocean.

We shall meet one day on the 7th continent for an installation this artist is destined to place, because let’s be honest:  you are simply the wild cold cousin of the mighty Pacific.

Into the biodome

For the love of lava

Flying between the Pacific coastline and the Cascade range is a visual treat on a clear day.  Making this trip up and down the west coast is all in a day’s work for this technical sales person turned traveling artist.  If you’re extra lucky, the plane may even fly directly over some of my favorite volcanic peaks like Crater Lake or Mt. St. Helens. Living near Seattle, we are almost always greeted by the giant of them all, Mt. Rainier.

Even on a cloudy day, Mt. Rainier always pops out to say hello. Portland bound, October 2019.

As you know, I’ve got a thing for volcanoes and all things lava.  Many of my dream destinations are volcanic hotspots – Iceland, Hawaii, Mexico, Peru and my home turf in the PNW.

What I didn’t know was that one of the most incredible architectural designs, the dome, was also a natural phenomenon in the world of lava.  Just inside of Mt. St. Helens crater, for example, is a beautiful lava dome, all perfectly rounded from hot magma.

A tiny peek of the lava dome in Mt. St. Helens from 30K feet. Still Portland bound, October 2019.

Somehow knowing this, makes my pursuit of the dome shape in my installation work much more interesting.  Rather than connecting it to the architectural design feats of Dome of the Rock or Taj Mahal, I’d like to connect my inspiration back to the greatest artist of all – Mother Nature.

All that glitters

The dome shape came to my creative practice because of a simple craft kit I saw in a department store during a Christmas shopping blitz: glitter bowls.  You just never know where your next idea might pop up, so keep your eyes and mind wide open!

Glitter bowl’s brother from another mother - the thread bowl.

Eager to explore new shapes, the kit came with the first materials I would test:  glue, glitter and three sizes of plastic molds.  The kit was intended to make small sparkly jewelry bowls, but I saw everything upside down. 

The first of the upside-down glitter bowl, aka. dome, all sparkly in blue, January 2018.

These molds would become my architectural ‘crutch’ to defy gravity and build my first dome.  Rushing from store to store to gobble up as many holiday glitter bowl kits as possible, while supplies lasted, I managed to collect an army of molds so volume production could begin.

Crumbling down

Glue is pretty amazing while glitter is just plain pretty.  Combine the two and some visual magic can happen.

For six months, I feverishly built domes, and they had a starring role in my installation work in Mexico, California, Hawaii and Oregon.

A spruce bush in San Miguel de Allende all spruced up with glitter domes, February 2018.

I loved them so much, I began searching for a way to display them for an interior installation that could be submitted for art shows.  The inverted domes, aka bowls (haha), could be nested with various sizes and colors, and adhered to a flat surface of wood or canvas.

Upside-down domes all nailed down and ready to show, March 2018.

There was one major problem with the design:  glue is no friend to climate change.  Everything I designed inside, and certainly those that traveled long distances, had no chance of ever surviving.

The domes became a brittle pile of shards or a melted glob of goo.

The dome remains after a long, and obviously hot, flight from Maui, June 2018.

Back to the drawing board.

Pro Biotic

One aspect of the glitter dome that I loved was its translucency.  I’ve been chasing this in my work forever (hello ice!).  One major characteristic I was less in love with was the inorganic material used to make glitter today – plastic.  While I tested mica as a sparkly organic substitute, it did not provide the same binding properties as glitter.

Mica plays the sparkling role in these gold domes, Black Butte Ranch, Oregon, August 2018.

As my installation practice developed, my search for organic material has expanded:

·      Brewing vegetable and spice dyes from my kitchen to color my first ice installation in Iceland

·      Foraging plants like lichen and seaweed to dye textiles for my mixed media canvases

·      Hunting for mineral deposits to create earth pigments as a material for paper studies

My quest to create ephemeral sculpture that can dissolve cleanly into the soil has become an integral part of my artistic world.

But how to find a translucent material made from botanicals that could hold a dome shape?

Hello mung bean!

Hibiscus dyed mung bean all domed out in Aguas Calientes, Peru, June 2019.

Biodiversity

Ahhhh….the short-lived life of a mung bean dome.  Yes, it can drape across a form and hold its translucent shape, but again, travel and the elements are not kind to mung bean.  Even more delicate than ice, the mung bean dome could barely handle a five hour flight.

Ode to a mung bean dome after many an installation flight.

Yes, I could sleep peacefully knowing the organically dyed mung bean would return quietly to the earth.   But, if it can’t be transported to the installation site, it’s burnished glimmer is lost before it’s ever seen.

While repeated material disappointment might stop some in their tracks, not this artist.  Every single iteration of my dome has been an informed failure for the next discovery.  Without each of these stumbles, I would never have found the newest material I’m so excited to explore – bioplastics.

Oh, let the light shine in, you gorgeous bioplastics, you! Bothell, Washington, November 2019.

Dome 3.0 is born!

 

Biosphere

This weekend, I cooked up my first batch of bioplastics.  Built from organics of agar, glycerol, gelatin and water, the quick and toxic free recipes were easily brewed on my kitchen stove.  Adding dye steeped from the blue butterfly pea and hibiscus flowers created subtle shades of grayish blue and purple.

Beyond the dome: molding square bioplastics in my Bothell kitchen, November 2019.

As they quickly hardened in various molds, translucent forms emerged as the water evaporated during the curing progress.  Shrinking and contorting, every day a new shape has appeared.

Agar bioplastics morphing back to algae, November 2019.

Now, it’s time to test the dome.  Only problem is I have no idea where those molds are in my new garage, soon-to-be studio.

No worries – I have time.  The bioplastics are sure to stick around.

Beyond the biodome

Finding a name for a shape before it’s even been built, I just know the biodome is going to be a success.  Beyond the lava field, some of the most beautiful ‘biodomes’ constructed by humans have been igloos, wigwams and beehive houses.  Anything built of ice, bark, reed and mud is an inspiration for an installation artist like me.

Into the biodome I go…

Head into the comments to join me!